The Hybrid

Clay on paper mask, 7.6" x 6"

2024

My hometown, Hong Kong, is predominantly composed of Chinese ethnicity but was colonised by the British for a century. This unique blend of cultures has led to a complex and often confusing sense of identity. By crafting a mask with two sides, I aim to explore my identity as a Hong Kong citizen. The front of the mask features elements that symbolise our cultural heritage and core values. Masks are common in traditional Chinese rituals to ward off evil spirits. They are also present in Chinese performance art, conveying emotions and traits through vibrant colours. The upper left part mimics the appearance of a Chinese opera character with dramatic facial painting and an intricate hairstyle. Below the left eye, a lantern represents Lunar New Year and Mid-Autumn Festival, which are celebrated collectively by Chinese communities. The plants on the left cheek signify the concept of harmony, a fundamental principle in Chinese culture. Influenced by Confucianism and Taoism, this idea emphasises our connection to nature and the importance of respecting and understanding it. Conversely, the right side of the mask embodies elements representing Western influence. The gear wheel and light bulb in the upper right corner symbolise rationalism, a key value since the Enlightenment. Our education places significant emphasis on reason and knowledge, with society investing heavily in science and medicine to enhance lives in an evidence-based manner. The dove on the right cheek represents freedom. As a capitalist society, Hong Kong embraces private property and the liberty to choose from the market. Additionally, we are shaped by individualism, which values personal freedom and autonomy. As I crafted the mask, I reflected on the values instilled in me since childhood—values that I often took for granted. I realised that conflicts exist among them. For instance, despite my reliance on reason, I still celebrate traditional festivals steeped in superstitions and myths. Although I was taught to pursue harmony with nature through a balanced life, I sometimes indulge in material pleasures. Bringing these unattended conflicts to the surface prompts me to question who I truly am. After finishing the front of the mask, I started crafting the back, seeking a deeper reflection of the unnoticed emotions related to my mixed identity. I created an individual whose face is covered by both hands—a reaction I would have if my mask was torn off, leaving me exposed before others. I realised that I often conceal my true feelings and thoughts due to the collectivist values upheld in Chinese communities. At school, we tend to avoid being conspicuous and fear negative judgment. This hesitation often prevents us from raising our hands, even when the answers are clear. As we grow older, we continually compare ourselves to others in terms of achievements and material possessions, with society frequently determining one's worth based on profession and productivity. The situation in Hong Kong is further complicated by politics. While many advocate for freedom and democracy, we have limited power over public affairs. This reflection stimulates a suffocating feeling, prompting me to express my emotions through repeated patterns. The sharp stripes on the left side mirror the harsh criticisms from people around, while the swirls on the right evoke the tumultuous brushwork of Vincent van Gogh's paintings, conveying my inner turmoil. Using crafting as an emotional outlet, my unsettled feelings gradually subsided, allowing me to contemplate the mask with a sense of serenity. The mask embodies both sides, showcasing a blend of desirable and undesirable elements, much like my complex identity. Eliminating the conflicts it presents feels impossible, and seeking a single definition of my identity seems absurd. I realised that embracing the richness of my identity is essential. I should not view the diverse influences as enemies but rather as complements to one another. Being exposed to both Eastern and Western cultures enables me to appreciate their strengths and weaknesses. It is unnecessary for me to confine myself entirely to either, I can explore alternative choices.